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ERAGON Review
Published by The Sunday Times
of Malta, 17th December 2006
Film Critic: Eric German
Film of the Week
BREATHING NEW FIRE INTO A
DRAGON FANTASY
ERAGON (KRS/Pg, *** and a half)
puts paid to all those nasty rumours about dragon slayers and damsels in
distress.
The setting is the land of
Alagesia and the time is one where dragons were man’s friend and the
elite breed of dragon riders were the country’s heroes. All that
changed with the oppression inflicted by the corrupt king Galbatorix
(Jon Malkovich) and his evil wizard, Durza (John Carlyle).
Another change is ushered in
when Eragon (Edward Speleers), an orphan farm boy, finds a dragon egg
which soon yields a baby dragon that grows into the adult flying and
fire-breathing Saphira.
Aided by the aged but wise
former warrior Brom (Jeremy Irons), Eragon becomes a dragon rider and
the good fight is on.
Eragon
was adapted from the best selling novel written by 15-year-old
Christopher Paolini. I haven’t read the book but the film lacks the
sophistication and strong plots of fantasy films based on the work of
adult authors.
On the other hand it has a
child-like sense of wonder that few adult authors can conjure up so
effectively.
That sense of wonder begins when
the egg cracks open and the baby dragon takes her first wobbly steps.
Director Stefen Fangmeier sustains that sense throughout the film,
making it a superior boy’s fantasy come to life on screen.
This is Fangmeier’s debut.
Before he was a visual effects supervisor and his expertise shows
because the perfectly rendered visual effects are woven seamlessly with
the live action
And he takes CG special effects
to a higher level because Saphira’s facial imagery conveys thoughts and
feelings. Her movements, which frequently involve high speed ‘stunts,’
are executed in a perfectly smooth way.
She communicates telepathically
with Eragon and Rachel Weisz has done a superb job in creating Saphira’s
vocal characterisation.
The casting has its pros and
cons. Ed Speleers has the right looks and the right build for the role
but, apart from the scenes he shares with Saphira, he’s no actor.
Brief but expressive
Jeremy Irons puts a lot of meat
on the bare bones of the dialogue but when you see an actor of that
calibre delivering lines which are basically a crash course in dragon
riding it creates a conflict.
Had the film been a bit darker,
it would have engaged my interest on more than a visual level. As it
is, the mythology seldom springs to life.
Fortunately, Sienna Guillory’s
performance as the captive warrior Arya gives the film what mythology
and mystery it has. Her role is very brief but she’s so expressive that
I could almost feel the anxiety and fear that Arya was going through.
The climax is the big and very
spectacular battle on the ground and the mid-air struggle as Eragon and
Saphira try to overcome the sorcerer’s power.
Although its appeal is primarily
for children and younger teens, Eragon is a thrilling fantasy
adventure and a visual effects extravaganza made with skill and taste.
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